A sample treatment for landscape architecture films.

A central film + focused short-form work.

This is a first draft of a treatment for a series of landscape architecture marketing films. While it is shaped by twenty years of commercial filmmaking and advertising experience across industries, it is meant to be a starting point.

My goal here is not to sell you a templated system. It is to book a discovery meeting where we can work together to develop a treatment around your firm—its existing marketing, its work, what distinguishes the practice, and what prospective clients need to see and understand.

Brand Story

Introduce the firm through its point of view—not only its portfolio.

Sample 16 by 9 Brand Story frame for the fictional firm Fakescapes Studio

1–3 minutes 16:9 + 4:5

Deep Cuts + Cutdowns

Develop selected interview topics into focused films—or distill them into concise social cutdowns.

Sample 4 by 5 Deep Cut frame titled Starting with the Site Sample 9 by 16 Cutdown frame titled Designing with Water

Deep Cuts · 1–3 min · 16:9 + 4:5 Cutdowns · up to 30 sec · 9:16

Hardscapes

Let prospective clients explore the materials behind the finished landscape.

Hardscapes title frame featuring stabilized decomposed granite Hardscapes information frame presented in a social media interface Stabilized decomposed granite shown in a finished landscape design

10–20 seconds 9:16

Softscapes

Round out the catalog with planting choices and the possibilities they create.

Softscapes title frame featuring Yankee Point California lilac Softscapes information frame presented in a social media interface Yankee Point California lilac shown in a finished landscape design

10–20 seconds 9:16

Case Studies

Show the finished landscape and the thinking that shaped it.

Case Study title frame for a Willow Glen entry landscape Case Study detail frame presented in a social media interface The completed Willow Glen entry landscape shown at night

30–60 seconds 16:9 + 4:5 + 9:16

The strategy

Carry the intention into the films.

Landscape projects are shaped through countless decisions before they are ready to photograph. I bring the same level of care to the strategy, interviews, cinematography, and post-production used to represent them.

Through The Hard Way Cinema, I have led end-to-end productions and worked in specialist roles alongside agencies and in-house teams. I bring those disciplines together here, while current marketing practice informs the format, structure, and intended use of each film. Every film can contribute to each of the goals below.

01 / Understanding

Connect the finished result to what produced it.

Interviews and thoughtful cinematography add context to the finished portfolio by revealing materials, process, design decisions, and people.

02 / Discovery

Give people a specific reason to look closer.

Useful subjects, thoughtful cinematography, and clear design create entry points into the firm’s work through organic publishing or targeted promotion.

03 / Confidence

Give interested prospects a clearer basis for choosing the firm.

Across formats, the films can help referrals and active prospects understand the firm’s perspective, process, and expertise before the first meeting.

The next step

You carry intention through the finished result. I carry it into the films that represent it.

That begins with getting to know your firm—its projects, people, process, point of view, and marketing priorities—then shaping the treatment, production, and deliverables around what prospective clients should see and understand.